BLUE ENERGY and ART that assists immortality.
strange birds, and butterflies and contorted shapes of the dawn of the most PRIMAL thought.
by Henryk Szubinski
The fact that blue zones are places where people who live there , live to be 100 or more may be found in ancient texts of immortals such as the "tenant " of the CArlos Castaneda writings of an ancient Death defier. Examples of the mentions of immortals you can read below with some of the places that you can read about it.
In suggestion to how the blue zones would work,especially those that have bilogical similarity to the appearance of animals, the ability to make larger artistic works of
sculptures of animals in the ocean where there is low depth, may infact contribute to the effect of the longevity "power" in relation to those that could live in proximity to such a giant work of oceanic art that is in symbiotic relationship with the biological energy field of GAIA as mother Earth by way of the animal beings and their energy.
Were these blue zones of the first known kind actualy made by artists that meant to use them for the prolongation of life for those that thought or focused on them?.Did they collect the life energy known to ancients as the BLUE ZONES and were they built with ome type of plan?,for immortals.
strange birds, and butterflies and contorted shapes of the dawn of the most PRIMAL thought.
by Henryk Szubinski
The fact that blue zones are places where people who live there , live to be 100 or more may be found in ancient texts of immortals such as the "tenant " of the CArlos Castaneda writings of an ancient Death defier. Examples of the mentions of immortals you can read below with some of the places that you can read about it.
In suggestion to how the blue zones would work,especially those that have bilogical similarity to the appearance of animals, the ability to make larger artistic works of
sculptures of animals in the ocean where there is low depth, may infact contribute to the effect of the longevity "power" in relation to those that could live in proximity to such a giant work of oceanic art that is in symbiotic relationship with the biological energy field of GAIA as mother Earth by way of the animal beings and their energy.
Were these blue zones of the first known kind actualy made by artists that meant to use them for the prolongation of life for those that thought or focused on them?.Did they collect the life energy known to ancients as the BLUE ZONES and were they built with ome type of plan?,for immortals.
THE DEATH DEFIER
HOW THE DEATH DEFIER RELATES TO DIABLERO
the Wanderling
http://wanderling.tripod.com/death_defier.html
It has long come down to us from out of the ripples of shamanistic lore that the quasi or semi organaform-being called the Death Defier was a human from long ago who, on becoming a shaman-sorcerer, used his powers to try and escape death. He managed to alter his form so he would more closely resemble inorganic beings. However, in the process, he was trapped by the lure of power from those same inorganic beings. Eons later he managed to escape. Existing on a thin threshold between the not-fully human and the inorganic he couldn't eat, yet still needed energy. To evade his former captors and sustain his form, he needed to constantly search for energy. In the year 1725 AD the Death Defier, addicted to living and needing energy, down on power, in his last dying moments, cornered a then minor shaman from a long line of minor shamans by the name of Sebastian. In a noticable weakened state he was able to extort energy from him --- but only through a deal. To stay alive each generation of shaman-sorcerers in Sebastian's lineage would GIVE the Death Defier some of THEIR energy in exchange for knowledge --- knowledge and secrets gained or learned by the Death Defier over thousands and thousands of years. Thus the Death Defier "earned" the name tenant and by doing so, a new lineage was born. The secret is, in making the deal, the crafty Sebastian and those that followed, have given the the life-addicted Defier only enough energy to survive.
www.absolutoracle.com/Carlosoracle/Articles/searchingForTheDeathDefier.htm
We read in the Amy Wallace book (Sorcerer’s Apprentice) where Muni Alexander/Carol Tiggs/The Nagual Woman says, “And finally I can tell you the Death Defier’s name, Xoxonapo, which means ‘fruit of eternal spring’. The Death Defier lived for thousands of years. To speak her name in Tula will wake her spirit. She told me to speak Nahautl words, ending with the line: O xoxopanxoco o xoxopanxoco.”
http://shamanportal.org/forum/shamanism-f1/death-defiers-t545.html
It has long come down to us from out of the ripples of shamanistic lore that the quasi or semi organaform-being called the Death Defier was a human from long ago who, on becoming a shaman-sorcerer, used his powers to try and escape death. He managed to alter his form so he would more closely resemble inorganic beings. However, in the process, he was trapped by the lure of power from those same inorganic beings. Eons later he managed to escape. Existing on a thin threshold between the not-fully human and the inorganic he couldn't eat, yet still needed energy. To evade his former captors and sustain his form, he needed to constantly search for energy. In the year 1725 AD the Death Defier, addicted to living and needing energy, down on power, in his last dying moments, cornered a then minor shaman from a long line of minor shamans by the name of Sebastian. In a noticable weakened state he was able to extort energy from him --- but only through a deal. To stay alive each generation of shaman-sorcerers in Sebastian's lineage would GIVE the Death Defier some of THEIR energy in exchange for knowledge --- knowledge and secrets gained or learned by the Death Defier over thousands and thousands of years. Thus the Death Defier "earned" the name tenant and by doing so, a new lineage was born. The secret is, in making the deal, the crafty Sebastian and those that followed, have given the the life-addicted Defier only enough energy to survive.
shamanism and the NAGUAL :
HOW THE DEATH DEFIER RELATES TO DIABLERO
the Wanderling
http://wanderling.tripod.com/death_defier.html
It has long come down to us from out of the ripples of shamanistic lore that the quasi or semi organaform-being called the Death Defier was a human from long ago who, on becoming a shaman-sorcerer, used his powers to try and escape death. He managed to alter his form so he would more closely resemble inorganic beings. However, in the process, he was trapped by the lure of power from those same inorganic beings. Eons later he managed to escape. Existing on a thin threshold between the not-fully human and the inorganic he couldn't eat, yet still needed energy. To evade his former captors and sustain his form, he needed to constantly search for energy. In the year 1725 AD the Death Defier, addicted to living and needing energy, down on power, in his last dying moments, cornered a then minor shaman from a long line of minor shamans by the name of Sebastian. In a noticable weakened state he was able to extort energy from him --- but only through a deal. To stay alive each generation of shaman-sorcerers in Sebastian's lineage would GIVE the Death Defier some of THEIR energy in exchange for knowledge --- knowledge and secrets gained or learned by the Death Defier over thousands and thousands of years. Thus the Death Defier "earned" the name tenant and by doing so, a new lineage was born. The secret is, in making the deal, the crafty Sebastian and those that followed, have given the the life-addicted Defier only enough energy to survive.
www.absolutoracle.com/Carlosoracle/Articles/searchingForTheDeathDefier.htm
We read in the Amy Wallace book (Sorcerer’s Apprentice) where Muni Alexander/Carol Tiggs/The Nagual Woman says, “And finally I can tell you the Death Defier’s name, Xoxonapo, which means ‘fruit of eternal spring’. The Death Defier lived for thousands of years. To speak her name in Tula will wake her spirit. She told me to speak Nahautl words, ending with the line: O xoxopanxoco o xoxopanxoco.”
http://shamanportal.org/forum/shamanism-f1/death-defiers-t545.html
It has long come down to us from out of the ripples of shamanistic lore that the quasi or semi organaform-being called the Death Defier was a human from long ago who, on becoming a shaman-sorcerer, used his powers to try and escape death. He managed to alter his form so he would more closely resemble inorganic beings. However, in the process, he was trapped by the lure of power from those same inorganic beings. Eons later he managed to escape. Existing on a thin threshold between the not-fully human and the inorganic he couldn't eat, yet still needed energy. To evade his former captors and sustain his form, he needed to constantly search for energy. In the year 1725 AD the Death Defier, addicted to living and needing energy, down on power, in his last dying moments, cornered a then minor shaman from a long line of minor shamans by the name of Sebastian. In a noticable weakened state he was able to extort energy from him --- but only through a deal. To stay alive each generation of shaman-sorcerers in Sebastian's lineage would GIVE the Death Defier some of THEIR energy in exchange for knowledge --- knowledge and secrets gained or learned by the Death Defier over thousands and thousands of years. Thus the Death Defier "earned" the name tenant and by doing so, a new lineage was born. The secret is, in making the deal, the crafty Sebastian and those that followed, have given the the life-addicted Defier only enough energy to survive.
shamanism and the NAGUAL :
Blue zones do have archaeological evidence of civilization underwater. This is so because the civilizations, in fact ,every civlization functioned as maths because they were predicting the next water heightening of the ocean sea levels.
As such the clues left over are such that the evidence of animal statues were meant to remain in the water as the WATER BLUE ENERGY of the ANIMAL STATUES and their BLUE ZoNE ENERGY CHANNELING (much archaeology underwater appears to be intact and may also be preceived as made to be such to interact with the water landscape.
.
Each civilization had these animal representations as mythological figures made of stone as well as the animal gods that were give such high stature because they were able to give back to humans the energy we need to survive. Cor example there are mythical beings that are some part animal and some part aquatic being.
As such our own age has recently found the blue zones again and theknowledge of their power to extend life among peoples who live in their vicinity.
The glyphs of faceson the MAYAN tablets indicates that the MAYANS were long ago ready for comming floods and that each facial expression was made as so to define the amotional and visable human response to the animals of the deep and the energy of the blueness as having the function to be channeled by the facial expressions.
Here an underwater gate from Okinawa.
As such the clues left over are such that the evidence of animal statues were meant to remain in the water as the WATER BLUE ENERGY of the ANIMAL STATUES and their BLUE ZoNE ENERGY CHANNELING (much archaeology underwater appears to be intact and may also be preceived as made to be such to interact with the water landscape.
.
Each civilization had these animal representations as mythological figures made of stone as well as the animal gods that were give such high stature because they were able to give back to humans the energy we need to survive. Cor example there are mythical beings that are some part animal and some part aquatic being.
As such our own age has recently found the blue zones again and theknowledge of their power to extend life among peoples who live in their vicinity.
The glyphs of faceson the MAYAN tablets indicates that the MAYANS were long ago ready for comming floods and that each facial expression was made as so to define the amotional and visable human response to the animals of the deep and the energy of the blueness as having the function to be channeled by the facial expressions.
Here an underwater gate from Okinawa.
Many places underwater in Sardinia and ancient Greece that are blue zones indicate that there are very old monolithic and animal figures underwater that the Greeks probably predicted then as today. Currently much evidence for another flood has been found and proability of it happening is high.
How do the Mayan Glyphs relate to the knowledge that water will increase it's height and people would have to live higher up on other parts of their surface?
The Egyptian glyphs would also foretell of the water flooding and the human facial or body responses to the water levels changing and the blue zones being expressed by this type of art.
The definition of the flood is derived from scientificaly pedictable events such as the heightening of the sea levels due tot he polar caps melting and the way that pollution has heightened this problem by way of the ozone holes and the increased speed at which the ice caps are melting.
It is an interesting speculation that people from ancient civilization had some knowledge of water levels and their rise. Egypt and the Nile, Maya and the Amazon.
So to rely on this knowledge being present in the past we have to rely on the facts that the most scientific approach to the whole area of ancient floods would be by alien technology and knowledge. In this way, the maths and the technology may be older than ancient , something that would resemble a MUSEUM of animal artefacts that existed some billions of years ago ,even as far as PANGAEA , the one continent of the Earth.
from Wikipedia
date, 02,12,2016
time, 16:16
Pangaea or Pangea (pronunciation: /pænˈdʒiːə/[1]) was a supercontinent that existed during the late Paleozoic and early Mesozoic eras.[2][3] It assembled from earlier continental units approximately 300 million years ago, and it began to break apart about 175 million years ago.[4] In contrast to the present Earth and its distribution of continental mass, much of Pangaea was in the southern hemisphere and surrounded by a superocean, Panthalassa. Pangaea was the last supercontinent to have existed and the first to be reconstructed by geologists.
If this was so ,then was there some primal origin of placeing animal statues underwater? and if so were the first aliens and contact with humans based on the generation of the blue zones around the Earth's oceans a message to the comming generations of blue zone people over 100 years of age that they would return. There are many tales of flooding and comming ice ages that are predictable science and even the fact that most animals either die out when ice ages approach or that the become extinct by change of water levels gives us a clue to how the animal figures that were taken from the lower depths of the ocean in a sudden increase of ocean levels and then their placement on dry land to be used for blue energy as the most ancient period in prehistoy where the ocean organisms exited the ocean and started to walk on the Earth as reptiles.
In reference to the opposite happening ,may be part of the prehistory of aliens and their state of existance with other intelligent species like our own in references of time moving back and forth into water and out of it.
Arthur C Clarke wrote a book that starts with the appearence of a FLYING SAUCER that is in fact a animal seeder that plants species on the planets it encounters long ago in our own past.The books name is "CRADLE"
It could be that the aliens and their flyiing saucers had this specific function as ARKS of all the animal species on Earth as their underwater function to generate blue zone water spectra.
During the alien age of Earth and her children, the whole planet could have been a blue zone and placed in the alien thought about us as "those whose whole planet must leave the confines of it's blueness together and as a whole".
The definition of the flood is derived from scientificaly pedictable events such as the heightening of the sea levels due tot he polar caps melting and the way that pollution has heightened this problem by way of the ozone holes and the increased speed at which the ice caps are melting.
It is an interesting speculation that people from ancient civilization had some knowledge of water levels and their rise. Egypt and the Nile, Maya and the Amazon.
So to rely on this knowledge being present in the past we have to rely on the facts that the most scientific approach to the whole area of ancient floods would be by alien technology and knowledge. In this way, the maths and the technology may be older than ancient , something that would resemble a MUSEUM of animal artefacts that existed some billions of years ago ,even as far as PANGAEA , the one continent of the Earth.
from Wikipedia
date, 02,12,2016
time, 16:16
Pangaea or Pangea (pronunciation: /pænˈdʒiːə/[1]) was a supercontinent that existed during the late Paleozoic and early Mesozoic eras.[2][3] It assembled from earlier continental units approximately 300 million years ago, and it began to break apart about 175 million years ago.[4] In contrast to the present Earth and its distribution of continental mass, much of Pangaea was in the southern hemisphere and surrounded by a superocean, Panthalassa. Pangaea was the last supercontinent to have existed and the first to be reconstructed by geologists.
If this was so ,then was there some primal origin of placeing animal statues underwater? and if so were the first aliens and contact with humans based on the generation of the blue zones around the Earth's oceans a message to the comming generations of blue zone people over 100 years of age that they would return. There are many tales of flooding and comming ice ages that are predictable science and even the fact that most animals either die out when ice ages approach or that the become extinct by change of water levels gives us a clue to how the animal figures that were taken from the lower depths of the ocean in a sudden increase of ocean levels and then their placement on dry land to be used for blue energy as the most ancient period in prehistoy where the ocean organisms exited the ocean and started to walk on the Earth as reptiles.
In reference to the opposite happening ,may be part of the prehistory of aliens and their state of existance with other intelligent species like our own in references of time moving back and forth into water and out of it.
Arthur C Clarke wrote a book that starts with the appearence of a FLYING SAUCER that is in fact a animal seeder that plants species on the planets it encounters long ago in our own past.The books name is "CRADLE"
It could be that the aliens and their flyiing saucers had this specific function as ARKS of all the animal species on Earth as their underwater function to generate blue zone water spectra.
During the alien age of Earth and her children, the whole planet could have been a blue zone and placed in the alien thought about us as "those whose whole planet must leave the confines of it's blueness together and as a whole".
The total of animal water inside their bodies would equal the amount of buoyancy or floatability of this amount as generates the blue spectrum of the water of blue zones ahving some type of gravity that is different than the human.
The wole spectrum of animal shapes may generate waves between them or solid vectors.
The interactions of these vectors could be resulting in the variability of evolution of newer species or that each animal has it's water imprint represented in relation to other species and that their interactions generate blue zone energy.
The wole spectrum of animal shapes may generate waves between them or solid vectors.
The interactions of these vectors could be resulting in the variability of evolution of newer species or that each animal has it's water imprint represented in relation to other species and that their interactions generate blue zone energy.
The reality of all life on Earth is that it is interacting with everything that is alive and everything that is active. For example a wave on the ocean may have the variability that is enough to make it synch with the vectors shown above. As such everyting is in unison with everything we observe. But we do not sense it as deeply as the above examples because we are no longer of those species. SO the fact remains that every wave may have these variables in any sequence of length where every new troph on these waves equals another specie and it's relationship to another specie shape or outline. When the inexpicable similarity is sensed ,it is because nature is in contact with natures appearances . There may be many such interinvolvements with Air, fire, water, Earth, the four elements define this as the basis of the vectors of the natural outline of the flame, the wave, the gust of wind and the change of the shape of the Earth's surface. So each species that uses the atmosphere, the active geological places and the ocean pressure and percipitation together with the temperature of the inner Earth and these give specific waves and vector values in change that are conected to nature and define it's way of using the language we don't notice but it is there.
The whole defines the part and the whole as GAIA( mother Earth) , maintains the species, each and every one of them as the whole unified field of being alive and being among living beings.
This then as the program of variables that could search and define the Earth's forces and match them to species shapes and vector changes as the program that could define the GAIA language and then be able to listen to this interaction of life where it exusts with the natural variable vectors of the 4 elements.
More data:
The whole defines the part and the whole as GAIA( mother Earth) , maintains the species, each and every one of them as the whole unified field of being alive and being among living beings.
This then as the program of variables that could search and define the Earth's forces and match them to species shapes and vector changes as the program that could define the GAIA language and then be able to listen to this interaction of life where it exusts with the natural variable vectors of the 4 elements.
More data: