Sent this to SIRIUS DISCLOSURE today
at
date, 23:05:2017
time, 17:57
at
date, 23:05:2017
time, 17:57
Beyond light speed
using strings and their tensile force as related to stretching them as multi systems of tensile tubes inside tensile tubes so that they may rotate to create gravity or anti gravity or free energy and velocity beyond light.
Just with the use of wires or strings and their tensile values .
Henryk Szubinski
using strings and their tensile force as related to stretching them as multi systems of tensile tubes inside tensile tubes so that they may rotate to create gravity or anti gravity or free energy and velocity beyond light.
Just with the use of wires or strings and their tensile values .
Henryk Szubinski
Spaceships that use the zero space reference as the root of 2 multiples and their result as exponentialized into 5 such values of any input of x as the function between them must have the expansion and contraction centered for any faster than light velocity.
The faze will alternate between exp 2 as rooted and then the x exponential 5 as the exponentials between them = 2-5 or -3 space and the alternation as the gamma n of the root as
1-5 =-4 space, or the delta function
So that the faze will define the -3 to the -4 as the remaining -1 that cannot be made into positive by addition of the value 1 between them, so it becomes the start of any faster than light displacement even as the negative minus the negative cannot = another negative.
Here's more theory.
The related to result of the -4--3 =-1 is challenged because there are variables that may also equal +1 so that the improbability of the -4+3 =-1
the -1 must be there to define the PRE VELOCITY of the quant that makes it to +1 as the improbability that any -4--3 would equal positive one
but it is exactly this that the theory needs to define the possibility of light speed.
The tensile may interact more on a harmonic vibration of free energy when the tubules are vacuum chambers that conduct the free energy and may be the vacuum energy field from which the free energy is derived by pulling on the strings to make a note like a sound string does.
The RAMA spaceship from the story by Arthur C Clarke has the same type of wire tensile force being equalized by smaller string tensile force in smaller tubes. You can observe this detail as being on one side of the larger tube of the spaceship.
Inside RAMA and looking to the far end of it where the tensile functions are= displacement of the spaceship.
The efforts to build a ARK to save humanity are similar tot he RAMA design.
Including the DIAL functions of the diameter solid with some space inside the diagonal so that the sound frequency of plucking the strings will be motivated to displace along this dial section that may also be rotated by the space vacuum or by the focus of the light by the spheres that act like round prisms.
from Wikipedia
date 24:05:2017
time, 10:12
that the string functions relate to ;
Musica universalis (literally universal music), also called Music of the spheres or Harmony of the Spheres, is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of musica (the Medieval Latin term for music). This "music" is not usually thought to be literally audible, but a harmonic, mathematical or religious concept. The idea continued to appeal to thinkers about music until the end of the Renaissance, influencing scholars of many kinds, including humanists. Further scientific exploration has determined specific proportions in some orbital motion, described as orbital resonance.
more notes:
applications into spheres and the top pole and lower pole as tubule discs that have strings in tensile relations around their inner sides so that one of the poles has an open space and the size of the tubules and strings are related by ratio's of frequency vibrations.
date 24:05:2017
time, 10:12
that the string functions relate to ;
Musica universalis (literally universal music), also called Music of the spheres or Harmony of the Spheres, is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of musica (the Medieval Latin term for music). This "music" is not usually thought to be literally audible, but a harmonic, mathematical or religious concept. The idea continued to appeal to thinkers about music until the end of the Renaissance, influencing scholars of many kinds, including humanists. Further scientific exploration has determined specific proportions in some orbital motion, described as orbital resonance.
more notes:
applications into spheres and the top pole and lower pole as tubule discs that have strings in tensile relations around their inner sides so that one of the poles has an open space and the size of the tubules and strings are related by ratio's of frequency vibrations.