the SEWING TECHNOLOGY of STONE AGE MAN
by Henryk Szubinski
THE FACT of EVOLUTION modern humans will have to face. The making of more advanced space suits
by people we do not know on other planets that may at some time return to the future Earth.
The basis of this possibility has already happened on Earth in the separation of the Neanderthal and the
Modern man at 70 000 years ago as the separation of the man from his goddess as she went away to
develop the sewing thechnology long before the primate man started to develop the clay technology
of the pots and pans and hunting instuments..
Neanderthal and Modern man
modern man ability to think= art and their contact with the
Neanderthal = body art as the type that left no trace on caves
or as ornaments in graves. This fashion was based on the GODDESS.
The basis of the later modern man was based on the trade of art of
the European male species that made the Modern man interpret the
way that the goddess appeared and made art out of the surroundings
of the goddess as the animals . The curiosity of the later modern man
way into Europe might have found value of the body art so that it could
be given to the goddess as a present, as the begining of art as the GIFT
from modern man to the Neanderthal to the gap of time that defines the
LINK OF THE first meaning of art.
1) Neandertha clothes and body art as perfumes,makeup and so on= first meaning of art
2)Modern makes the surroundings of his goddess as art that defined
the ART GIFT to the goddess so that=the link to first art, and the ability to try to sell their
2nd ary art to the goddess that already owned their own body art. The function of art
= thought would have occured as the NATURAL ART that was given mankind and the
beginings of male art as their GIFT to the goddess with either value or as a natural
input into the zone of goddess.
So selling----------to own the attention of the godess---->gift
and
Gift ------------male primates need the attention------------->selling or not selling to goddess
As such the goddess and art as the gift to themselves and the simultaneous
goddess gift<------to themselves-------as the other goddess as they appear-------because of body art. Of course the goddess could not sell their body parts as art.
The modern man art defines the animal images as previous to being eaten. The images are of living animals in nature. So this had to be the gift of art to the goddess while the goddess already used the animal skins for cover and as art without having to append any value of exchange of their clothes to other Neanderthals.The Goddess would have made art as the traslation of clothes into rock art. MEaning that the goddess had longago made sewing marks into rock and the stitches as well as making patterns for sewing as a measurement instrument.
Basically the Neanderthals were the sexual partner representation of the femal = neanderthal
and male = modern man
The change from one to the other happened when the goddess Neanderthals went away
for some time from Africa into Europe where they established the firs SEWING LESSONS
of a secret GODDESS place of meating where the first courses in the knowledge of sewing
clothes was begun. At this place, the needles were shown with the measurment instruments
and the dyes that colored their clothes. So in place of returning to Africa the Goddess waited
for their male half to arrive from Africa as modern man.
The first sewing pattern similar to the sewing mashines of today and their programable patters of choice.
Long and sharp tools for making holes in animal skin as well as a smaller wooden tool for winding the fiber that was used for sewing with.
How humans larned to mix dyes. The pain would flow through the opening while other color was poured through other shells with holes in them.
Blombos Cave is an archaeological site located in Blombosfontein Nature Reserve, about 300 km east of Cape Town on the Southern Cape coastline, South Africa. The cave contains Middle Stone Age deposits currently dated at between c. 100,000 and 70,000 years before present (BP), and a Late Stone Age sequence dated at between 2000 and 300 years BP.[1][2][3][4] The cave site was first excavated in 1991 and field work has been conducted there on a regular basis since 1997 – and is ongoing.[5]
The excavations at Blombos Cave have yielded important new information on the behavioural evolution ofmodern humans. The archaeological record from this cave site has been central in the ongoing debate on the cognitive and cultural origin of early humans and to the current understanding of when and where key behavioural innovations emerged among Homo sapiens in southern Africa during the Late Pleistocene.[6][7][8]Archaeological material and faunal remains recovered from the Middle Stone Age phase in Blombos Cave – dated to ca. 100,000–70,000 years BP – are considered to represent greater ecological niche adaptation, a more diverse set of subsistence and procurements strategies, adoption of multi-step technology and manufacture of composite tools, stylistic elaboration, increased economic and social organisation and occurrence of symbolically mediated behaviour.
Goddess showing the sewing skills of early Neanderthal that had no cave art but used body art as clothing.
The excavations at Blombos Cave have yielded important new information on the behavioural evolution ofmodern humans. The archaeological record from this cave site has been central in the ongoing debate on the cognitive and cultural origin of early humans and to the current understanding of when and where key behavioural innovations emerged among Homo sapiens in southern Africa during the Late Pleistocene.[6][7][8]Archaeological material and faunal remains recovered from the Middle Stone Age phase in Blombos Cave – dated to ca. 100,000–70,000 years BP – are considered to represent greater ecological niche adaptation, a more diverse set of subsistence and procurements strategies, adoption of multi-step technology and manufacture of composite tools, stylistic elaboration, increased economic and social organisation and occurrence of symbolically mediated behaviour.
Goddess showing the sewing skills of early Neanderthal that had no cave art but used body art as clothing.
The future of adventures in space by way of the special space suits.(image from Prometheus the movie) .
OK ,now we take a look at MAYAN CIVILIZATION and the PYRAMID KITCHENS
extra note on Mayan civilization.
The way the ancient world looked was due to the presence of the goddess in every ritual and daily life of their tribesmen. That some posed the thought of extending their reach from their ancestral daily scheme of things namely their jungle art ,made from one day of thinking about the place to eat, it's general feeling, the hunting times, the limits of their wandering as the zone of their village and the behaviour of their talk and relationships. This made for some rules to be kept in terms of the symbiosis of them and the ability to sometimes bend the rules. Such symbiosis was needed when the hunter had thoughts about the food they were eating. The hunter would meet with the mother goddess and then the shaman to consider extending their reach in the jungle. The basic rule was that "when the mother goddess was consulted, it would rest on her number of off spring, to consider a decision that would save their tribe. The extra kilometer of jungle area. This could through several generations be an extension of another kilometer untill the mother goddess had enough familiarity with the new places of eating and sustainability of their meals. As such the child suckling on it's mother breast became the future of their survival and lead to the constructions of the pyramids that led to the concept of the tribes man and his goddess as standing tall on the apex of their pyramids with the message to the tribes that had gartered there that , the recepies given by the tribes would compete on high in basic rituals of showing the way that new foods could be made. So the pyramids were coocking lessons made in live time. The usual foods would be the tomatoe and potatoe as well as the beans. The mix would beshown to the thousands of of Incans so that they too could remain symbiotic to their goddess family and their mother goddess representations. No decisions went unnoticed between the tribes man and the goddess traditions that lead to the mother figure. In fact most of the usage of fire at the pyramid apex was forthe roasting of beans and cooking of the potatoes and frying of the other ingredients. The fact that the Spaniards of the Europe that found the Mayan civilization reported back of brutality and savage rituals shows how well they tried to keep the secrets of the role of foods in the ancient world. The Mayans did not cut out the heart of their offerings. They were raising the days tomatoe burden to the sky for it to be infused with the power of the sun and the moon , from the places where they were farmed ,watered and tended to. That some of the images on Mayan glyphs look graphic is due to the "cuttting out of the heart" was not the physical heart of any specific person ,but was an imagery of nature and human together with the function of the healing role of the tomatoe when eaten as having positive benefits with the heart and longevity.
FROM HIGH ABOVE the creators of new food recepies could include the motion of clouds, he rains approaching on the jungle horizon and the early view of the sunset and sun rise.
It was in this way that the Glyphs of the Mayans started to make a calendar of food making together with the Earth's environment , the sun and moon and the later nightly feasts that centered around stars. This calendar become the food book that related to the power of the stars and predicted the ageof 2012 as the time when the total of the calendar eating types and their natural and astrophysical observations became the GALACTIC BEAM ALIGNEMENT. This alignment of the stars and every recepie made by the Mayans meant to indicate that there was a coock pot of every star and planet as though a giant kitchen that rotated and created the spirals of the ingredients of the stuff of the nutrients and medicines that they used.
Each Mayan Glyph indicates this use of the coocking , and predicitive eating.While doing so they recorded their emotions ,the energy that made us think, the way we interact and the future of the places where food was served as in the stars and how energy interacted on a universal level with eating.
The view from above.This imagery might also include the Mayan calendar as the date when the TOUNGES of the Mayan Pyramids touched the FOOD STUFFS of the AIR above them like mouths opening to the misty horizons. This imagery is found in the calendar stone.
NEW DATA:
That the only evidence of Maya and the food traditions = the Beer cups made of clay shows that the other side of this was solid food.
That many places that have the church destroying evidence of many places by their language suddenly becoming extinct also indicates that as concerned the MAYA, their food traditions were extincted also by the church.( see languages such as Prussian).
The high level of food cocking at the tops of pyramids were stripped and only the ground layers of the pyramid kitchens remain in some places where worship by way of ancient Mayan ways still tries to save "even the smallest recepies " that meant immortality to many Mayans that lived in harmony with nature, eating and drinking.
NEW DATA:
That the only evidence of Maya and the food traditions = the Beer cups made of clay shows that the other side of this was solid food.
That many places that have the church destroying evidence of many places by their language suddenly becoming extinct also indicates that as concerned the MAYA, their food traditions were extincted also by the church.( see languages such as Prussian).
The high level of food cocking at the tops of pyramids were stripped and only the ground layers of the pyramid kitchens remain in some places where worship by way of ancient Mayan ways still tries to save "even the smallest recepies " that meant immortality to many Mayans that lived in harmony with nature, eating and drinking.
The tounge is present in this calendar stone work as the taste of the nature that surrounded the Mayan pyramids as centered in the larger coocking utensils.
Other civilizations:and special notes
Crocodile tails or tales from ancient Egypt;
That Ttutankhamun had his own blue water pool in his palace where he would keep his crocodile. I am shure his pet had more to eat than just the usual meal of chicken .
He would probably call slaves into his chamber and make them ask specific questions about the true origin of the ADAM and EVA Myth . When the slaves answered wrongly, they would be thrown into the pool. The water turned from royal blue to deep crimson red. The priest would be called and the water drained and drunk later for the priests to do their oracle work on it. As such the viewing of the future but also maintaining the hold on the ancient knowledge of Adam and Eve.
The fact that Tutts priest was named IA and the fact that he liked the water environment of the Nile because it was full of crocodiles it would be probable that he supplied the temple with new crocodiles for the royal pools. In that case his adventures in the Nile would probably include making his own orcale of knowledge in an attempt to either trick the young Tutt to go wrong on some oracle data that IA had given him. Thus the burial chamber for Tutt had in it the image of IA but without one think present. The missing artistry was the presence of the crocodile which would curse the spirit of Tutt into the kingdom of death.
The name of the crocodile was SOBEK.In relation to the priest IA the combined meaning of SOBEK and IA = SOBEKIA ,the future kingdom beyond death where the priest would gain his power after deceiving Tutt.
Here an image ,of the Egyptian palace swimming pool as reconstructed.
Crocodile tails or tales from ancient Egypt;
That Ttutankhamun had his own blue water pool in his palace where he would keep his crocodile. I am shure his pet had more to eat than just the usual meal of chicken .
He would probably call slaves into his chamber and make them ask specific questions about the true origin of the ADAM and EVA Myth . When the slaves answered wrongly, they would be thrown into the pool. The water turned from royal blue to deep crimson red. The priest would be called and the water drained and drunk later for the priests to do their oracle work on it. As such the viewing of the future but also maintaining the hold on the ancient knowledge of Adam and Eve.
The fact that Tutts priest was named IA and the fact that he liked the water environment of the Nile because it was full of crocodiles it would be probable that he supplied the temple with new crocodiles for the royal pools. In that case his adventures in the Nile would probably include making his own orcale of knowledge in an attempt to either trick the young Tutt to go wrong on some oracle data that IA had given him. Thus the burial chamber for Tutt had in it the image of IA but without one think present. The missing artistry was the presence of the crocodile which would curse the spirit of Tutt into the kingdom of death.
The name of the crocodile was SOBEK.In relation to the priest IA the combined meaning of SOBEK and IA = SOBEKIA ,the future kingdom beyond death where the priest would gain his power after deceiving Tutt.
Here an image ,of the Egyptian palace swimming pool as reconstructed.
Image of Fish and Ducks interacting in the water in one of the Elites swimming pools probably for crocodiles as well.