ARCHAEOLOGY
SIRIUS DISCLOSURE about the ancient Eupropean gods and then some related data on UFO's.
by Henryk Szubinski
From the ages of Ancient Greece and back into the stone age times, i will define the reality of gods by some archaeological facts. TITAN was the first of the Greek Gods. He was made of metal. He is still locatable in his true shape as a statue that has been given variables of name throughout the whole history of ancient Greece and from every god. His name is Titan = prototype statue of every one of the Gods and is right now observable as DIONYSIS. The sculpture is covered with Blue to mark it as TITAN in times of change. The meaning appended the functions of such statues was to use them in times of war that Greece had with it's Eastern neighbours.The facts of the blue color of the statues would imply that they confused the sense of the attackers. The statues would be placed in a position on the battle field to either divert or to show the weakness of the opposing side.Arrows would be flung at them from the oppsing side but they would not penetrate . After several hundreds of years the prototype statues were sculpted into marble as a sign of peace and high culture. The facts that this type of change of the statues would imply that the spirit ofthe gods would return as the ture measureof man of those who won the battles with their gods .Much of this is between the half gods and the true gods ,as those who were born previous to the statues and those who died or fought with the statues. The half god would be reversed and then forwarded as born of this strength in his or her DNA as being there, before TITANS pre death and post death. So there are some natural spirits that need to be defined. Prior to the Ancient Greece, the stone age and the GAIA tribes of ancient Europe worshipped the Godess traditions. This fact may be observed with the sculptures of GAIA that survive to this day. However im trying to make the comparison with the large and the small scultures by way of the fact that the goddess traditions (lost much of the ancient European history), also had very hard metal scultures of their GODESSES that would divert attention away from any invading peoples by using the blue color just as TITAN was colored by blue against large and violent tribes that would invade Europe . Who were these invaders ?. The answer is they were Kurgans. They basically tried to push the godess traditions underground. They probably subjected the GAIA statues to high temperature and turned them back into molten form by their knowledge of how to make molten steel function in the process of making swords.They melted the Statues ,made them into swords and then worshipped the Blue color in the shape of the sky (why they were sky worshippers). The thing about the GAIA statues , that they had causes previous to their conception .The pre and post death would be turned around back from GAIA back and forth with (much like reproduction), European hunter gatherers, that had some background status in relation with the Giant statues of Gaia or mother Earth.These statues were the mother reference to early man in ancient Europe that were there before because the statues projected forwards in time from GAIAS children as "the older walk ahead as the representation of ". . Such sculptures may be observed in Buddha statues in the Indian cultures that came a long time after the stone age GAIA statues. The ancient European statuettes and their origins of bigger and stronger metal use had reached a no return basis. The metals were smolten and their metals used by the Kurgans to have the SWORD PRODUCT that they believed ,had some special power of the SKY WORSHIP, of which they were fascinated with. These swords would be related to the FIRST EVER SEWN SEAM of metal casting technology of ancient Europe . The seams remain in some molten metal casts. So to the TITAN STATUES must have had some seams along the DOORSAL and FRONTAl sections of their metal composites. This would account for many SEAMS and their meanings as the GODS that represented TITAN after his own metallic cast. The Seams would be related to the various parts of the human anatomy . An OPEN SEAM would imply "HADES " the god of hell. There could be seams that seperated like wings= "Mercurious " the messanger god. There could be POSEIDON, the god of the oceans as having the patience to erode the sharp metal seams by flow of water.ZEUS would pose the seam as = the lightning shape of it along the half section of the MOLDED SCULPTURE. Some other meanings of SEAM: Seaminglessly= without any trouble. SEAM = sewing language of using string to sew two parts of a garment. SEEM to be = a pretence of the character as possible.
That ancient Europeans were visited by UFO's would basically indicate the feature of the SEAm as the compound mould of the top section of a mould and the base section of the mould. The molten metal is poured in and hardens .But the crack lets some metal flow out along the crack. So this metal basically defines the edge of the UFO but also the SEAMS in the statues of the TITANS.
Alien UFO's as way ahead of the SEAM culture of ancient European meal casting technology represented by their UFO seam reduction. Meaning they went inwards to their mould when their CASTING SEAMS indicated leakage of metal. By going inwards to define the problems of leakage they meant to be inside their cast halves so that they could effect the most symmetrical CAST EDGE smoothness and build on each stage inwards so that their extra stages are represented as the inner "NON SEAM" space that basically works out the galactic edge and the space being used by Aliens.
This method of reversal backwards into the metal basically also creates the variables of FREE ENERGY methods.
The alien doing the UFO construction would be placed into a VERY TOLERABLE matterial that is transparent then placed into the MOULD metal cascket and using basic robotic arms to construct the inwards directed corrections of each layer towards himself (the alien).The process would end by the sphere with the alien inside it being exctracted from the molding by way of the top section o the UFO .With the ramining space inside having the connections to the robotic edge that pulls inwards. Much like the scifi doors you see in the movies that work like the old shutter speeds of old cametras. These would be large and used in the constrcution of the inwards displaced MOLT EDGE.
In relation to the GAIA GIANT STATUES of ancient Europe, the sphere with the alien in it ,making a UFO would focus on the blue sky as the indicator for the type of transparent matterials to use for making human decisions inside the mold. The mold may be of some other matter than metal. It could be a low melt and low temperature matter. So then,the construction of the UFO would not be difficult.
The basic half section of the top and base composit of the mOLD process and the presence of the alien in the center as doing the velcoity change of the type shutter shown below so that the human precision becomes the true UFO.
The alien is situated in the center in a blubble
The bubble is situated in a metal molt
The Molt is in 2 sides of a cast mould
The alien has some winches and leavers to pull
The alien has to feel the effect of the pull inwards towards himself
The alien than makes corrections as he pulls the molt inwards
The metal cools faster at the center
The distribution of the metal in the core has been reduced by the bubble
The alien may use occilation of the surrounding metal by fast " in and out" motions of the sectional shutter in rythms that are intelligent and create patterns or waves.
This distribution reduction of metal density
= the human factor accuracy of getting the faster cooling in the core as = equal to the laws of larger central mass density
taking a longer time to cool.
The alien factor has basically tricked the metal to cool centrally faster or equaly, with the edges.
The change of shutter speed would be indicated on the alien planet as the speed of the our displaceing into the inner by alien mechanical leavers and switches while the metal or matter is in the molten state and the shutter mooves it with the resulting pattersns needed in the material to make it able to lift or generate free energy.
The alien is situated in the center in a blubble
The bubble is situated in a metal molt
The Molt is in 2 sides of a cast mould
The alien has some winches and leavers to pull
The alien has to feel the effect of the pull inwards towards himself
The alien than makes corrections as he pulls the molt inwards
The metal cools faster at the center
The distribution of the metal in the core has been reduced by the bubble
The alien may use occilation of the surrounding metal by fast " in and out" motions of the sectional shutter in rythms that are intelligent and create patterns or waves.
This distribution reduction of metal density
= the human factor accuracy of getting the faster cooling in the core as = equal to the laws of larger central mass density
taking a longer time to cool.
The alien factor has basically tricked the metal to cool centrally faster or equaly, with the edges.
The change of shutter speed would be indicated on the alien planet as the speed of the our displaceing into the inner by alien mechanical leavers and switches while the metal or matter is in the molten state and the shutter mooves it with the resulting pattersns needed in the material to make it able to lift or generate free energy.