THE DREAM IS REAL
by Henryk Szubinski
From MAYA to modern civilization and the PHYSICS of DREAMING the "anything".
In this concept I will show how the ANCIENT METHODS of the MAYAN SORCERERS could attune themselves to their DREAMING ,by specific motions of the RHOMBOID muscle ,responsible for the motion of the body to the left or right side of sleeping and that the control of it may simulate the same activity that occurs while being awake.
To do this, the Rhomboid muscle must have an equal amount of lifting while asleep as when awake. Some minimal amount of control beyond the DREAM and SLEEP may be reached by special motion of the Rhomboid muscle so as to simulate "other states" of awake perception or OSAP.
The function of the DREAM and WAKE = to the positive and negative weight load ability may have special ability when in zero gravity or when on other planets and the sense that we are not alone ,as related to the RHOMBOID AREA and it's ability to PARALLAX.
The PIONEER in the ART of DREAMING was CARLOS CASTANEDA. He was taught by DON JUAN, who was a South American Sorcerer who taught Carlos everything he knew so that Carlos could write the many books that have become famous for their DREAMY REALITY of other worlds ,out there and accessible to Dreamers by special knowledge.
image of Carlos Castaneda.
Quotes from:
"The Art of Dreaming" by Carlos Castaneda and the mentions of the Death Defier.
The man explained that naguals, by means of their discipline, gain a peculiar energy that they store in their bodies and that he would get it painlessly from Sebastian's energy center on his navel. In return for it, Sebastian would get not only the opportunity to continue his activities unscathed but also a gift of power. The knowledge that he was being manipulated by the old Indian did not sit right with the nagual, but the man was inflexible and left him no alternative but to comply with his request.
Don Juan assured me that the old Indian was not exaggerating about his claims at all. He turned out to be one of the sorcerers of ancient times, one of those known as the death defiers. He had apparently survived to the present by manipulating his assemblage point in ways that only he knew about
"And it all depends on how fixed the assemblage point is. But, rest assured, if you are capable of maintaining a degree of detachment, nothing happens. The emissary remains what it is: an impersonal force that acts on us because of the fixation of our assemblage points." "
read more on "The Art of Dreaming" or get the pdf file.
Here is an example of DREAMING as CLOSE to REALITY that may, according to the MAYANS, be reached by the variables of the RHOMBOID MUSCLE ability.
The shape of the RHOMBOID AREA as the MUSCLE is equal to the DIMENSIONAL GEOMETRY.
from Wikipedia
date 2018
October 08
Traditionally, in two-dimensional geometry, a rhomboid is a parallelogram in which adjacent sides are of unequal lengths and angles are non-right angled.
A parallelogram with sides of equal length (equilateral) is a rhombus but not a rhomboid.
A parallelogram with right angled corners is a rectangle but not a rhomboid.
The term rhomboid is now more often used for a rhombohedron or a more general parallelepiped, a solid figure with six faces in which each face is a parallelogram and pairs of opposite faces lie in parallel planes. Some crystals are formed in three-dimensional rhomboids. This solid is also sometimes called a rhombic prism. The term occurs frequently in science terminology referring to both its two- and three-dimensional meaning.
Assemblage point positions may be related to the RHOMBOID=PARALLELOGRAM :
In Euclidean geometry, a parallelogram is a simple (non-self-intersecting) quadrilateral with two pairs of parallel sides. The opposite or facing sides of a parallelogram are of equal length and the opposite angles of a parallelogram are of equal measure. The congruence of opposite sides and opposite angles is a direct consequence of the Euclidean parallel postulate and neither condition can be proven without appealing to the Euclidean parallel postulate or one of its equivalent formulations.
By comparison, a quadrilateral with just one pair of parallel sides is a trapezoid in American English or a trapezium in British English.
The three-dimensional counterpart of a parallelogram is a parallelepiped.
The etymology (in Greek παραλληλ-όγραμμον, a shape "of parallel lines") reflects the definition.
In Euclidean geometry, a parallelogram is a simple (non-self-intersecting) quadrilateral with two pairs of parallel sides. The opposite or facing sides of a parallelogram are of equal length and the opposite angles of a parallelogram are of equal measure. The congruence of opposite sides and opposite angles is a direct consequence of the Euclidean parallel postulate and neither condition can be proven without appealing to the Euclidean parallel postulate or one of its equivalent formulations.
By comparison, a quadrilateral with just one pair of parallel sides is a trapezoid in American English or a trapezium in British English.
The three-dimensional counterpart of a parallelogram is a parallelepiped.
The etymology (in Greek παραλληλ-όγραμμον, a shape "of parallel lines") reflects the definition.
A parallelogram can be rearranged into a rectangle with the same area.
animation of the Area formula.
The area of the parallelogram is the area of the blue region, which is the interior of the parallelogram.
Here then, the way that the parallelogram functions each night and morning when we go to sleep and when we wake up as the INTERVAL STAGE OF DREAMING as the motions in the bed ,controlled by the RHOMBOID MUSCLE.
Here then, the way that the parallelogram functions each night and morning when we go to sleep and when we wake up as the INTERVAL STAGE OF DREAMING as the motions in the bed ,controlled by the RHOMBOID MUSCLE.
The 4 bar linkage mechanism as the ROTATIONS of the vectors of ORBITAL SYSTEMS of planets, stars and galaxies as being their INTERACTION of ROTATIONS that give the SIDEREAL RHYTHMS of SLEEPING when the contact occurs with the RHOMBOID MUSCLE doing the SHIFTS like the above video shows.
from Wikipedia
date 2018
October 08
A sidereal year (from Latin sidus "asterism, star") is the time taken by the Earth to orbit the Sun once with respect to the fixed stars. Hence it is also the time taken for the Sun to return to the same position with respect to the fixed stars after apparently travelling once around the ecliptic. It equals 365.25636 SI days for the J2000.0 epoch.[1]
The sidereal year differs from the tropical year, "the period of time required for the ecliptic longitude of the sun to increase 360 degrees",[2] due to the precession of the equinoxes. The sidereal year is 20 min 24.5 s longer than the mean tropical year at J2000.0 (365.242189 days).[1]
Before the discovery of the precession of the equinoxes by Hipparchus in the Hellenistic period, the difference between sidereal and tropical year was unknown. For naked-eye observation, the shift of the constellations relative to the equinoxes only becomes apparent over centuries or "ages", and pre-modern calendars such as Hesiod's Works and Days would give the times of the year for sowing, harvest, and so on by reference to the first visibility of stars, effectively using the sidereal year.
That the above are possible RHYTHMS of the MAYAN time as the CALENDAR of the motions of the sleeping body and the knowledge of how to awake from the DREAM of the MAYAN "AGE OF ANTIQUITY" that occurred some 30 000 to 50 000 years ago in PRE ANCIENT MAYA.
OUR BODIES do the RHYTHMS of the "4 bar, 5 linkage ,6 mechanism ,7 by ,8 way ,9 of ,10 remaining functions in the dreams.
The 10 are:as MAYAN SORCERY:
1) assemblage point position
2) shifts in the positions
3) the contact with DREAM ENERGY from other worlds.
4) The Dreamers DREAM BODY.
5) the Gates of dreaming 1
6) the gate of dreaming 2
7) the gate of dreaming 3
8) the gate of dreaming 4.
9) the EMISSARY.
10)the TENANT.total of the shifts=1+2+3+4+5+6+7+8+9+10=55 as in the language of sorcery
=the biological function to relate to our inner biological energy being as the sum or multiple of
the 50 x 5 =250
or as 50 to the exponent of 5 as the variable possibilities as = 500 000.
The ability to relate to reality and the CHANGE of TIMES as the function of what , is "directly there ,right there in front of you" as
the technological age of the present moment and the fore ground and MID LAYER and the BACK GROUND as the advanced
types of matters and how they have changed from the basic matters from the age of "stone age man" and the current "modern man".
So the dreaming has the ability to observe this INFINITE and ETERNAL DEPTH perception in dreams or in waking consciousness
or when we are experiencing REALITY.
The Moon's sidereal orbital period (the sidereal month) is ~27.3 days; this is the time interval that the Moon takes to orbit 360° around the Earth relative to the "fixed" stars. The period of the lunar phases (the synodic month), e.g. the full moon to full moon period, is longer at ~29.5 days.
Earth SIDEREAL RHYTHM
Solar SIDEREAL RHYTHMS
IN TOTAL the SIDEREAL RHYTHMS are combined into the FULL CYCLE of SLEEPING and DREAMING and REALITY PERCEPTION.
HOW TO SENSE ZERO GRAVITY like astronauts :The reality=positive, while the DREAM= negative .Sum and displace beyond zero.
HERE's the "HOW", of being in space.
1) the facts of being on Earth and sensing the body reference to the gravity as being fractures in the cognitive field.
2) getting ready for space and zero gravity as the body starts the conceptual.
3) making it to space as the zero gravity and
4) the problem of having no concept to define gravity.
5)The non functioning gravity concept.
6) the activation of zero gravity cognition.
7) zero gravity cognition as conceptual results in no physical change of the body.
8) The body keeps on moving with the conceptual zero as effortless motion where the concept has no physical motion effect.
9) The body is as the body appears to be ,in motion by concepts but the concepts are not sensed by the body.The theory is FLUIDITY.
10) The continuum of the zero concept interactive effect as displacement to real values beyond counting ,as the CONCEPTS are LEAKING.
HOW TO SENSE ZERO GRAVITY like astronauts :The reality=positive, while the DREAM= negative .Sum and displace beyond zero.
HERE's the "HOW", of being in space.
1) the facts of being on Earth and sensing the body reference to the gravity as being fractures in the cognitive field.
2) getting ready for space and zero gravity as the body starts the conceptual.
3) making it to space as the zero gravity and
4) the problem of having no concept to define gravity.
5)The non functioning gravity concept.
6) the activation of zero gravity cognition.
7) zero gravity cognition as conceptual results in no physical change of the body.
8) The body keeps on moving with the conceptual zero as effortless motion where the concept has no physical motion effect.
9) The body is as the body appears to be ,in motion by concepts but the concepts are not sensed by the body.The theory is FLUIDITY.
10) The continuum of the zero concept interactive effect as displacement to real values beyond counting ,as the CONCEPTS are LEAKING.
THE DORSAL side of the body and the RHOMBOID.
The RHOMBOID function as the size when compared with the size of it POWER TRANSFER on Earth with that of SPACE= much larger than that of being on Earth and sensing it's gravity.
So the RHOMBOID area could make you levitate and orient in space just like the PARALLELOGRAM may increase size by animation. So in worlds like this and their discovery by DREAMING, the RHOMBOID may even ,in some cases of planetary gravity, be displaced over by motion of the lower body being greater than the control by the brain but also the opposite, as the upper body has more control of the lower body.
.
The size change of the rhomboid due to gravity and the transfer of power by the arms of an astronaut are related to the type of gravity that the DORSAL side of the body relates to the ability to lift beyond oneself So walking on dreams is not at all impossible. Even when they are your own experience of zero gravity or LUNAR GRAVITY.
Examples of the "SEPARATE REALITY" and the "walking on dreams"or "walking in dreams", where the gravity is less than the RHOMBOID MUSCLE reference to reality and the existence of another type of gravity WARPING where the RHOMBOID MUSCLE HAS LESS WORK TO DO , in areas where Carlos Castaneda researched MAYAN sorcery by using the SHIFTS of the RHOMBOID MUSCLE.
The RHOMBOID function as the size when compared with the size of it POWER TRANSFER on Earth with that of SPACE= much larger than that of being on Earth and sensing it's gravity.
So the RHOMBOID area could make you levitate and orient in space just like the PARALLELOGRAM may increase size by animation. So in worlds like this and their discovery by DREAMING, the RHOMBOID may even ,in some cases of planetary gravity, be displaced over by motion of the lower body being greater than the control by the brain but also the opposite, as the upper body has more control of the lower body.
.
The size change of the rhomboid due to gravity and the transfer of power by the arms of an astronaut are related to the type of gravity that the DORSAL side of the body relates to the ability to lift beyond oneself So walking on dreams is not at all impossible. Even when they are your own experience of zero gravity or LUNAR GRAVITY.
Examples of the "SEPARATE REALITY" and the "walking on dreams"or "walking in dreams", where the gravity is less than the RHOMBOID MUSCLE reference to reality and the existence of another type of gravity WARPING where the RHOMBOID MUSCLE HAS LESS WORK TO DO , in areas where Carlos Castaneda researched MAYAN sorcery by using the SHIFTS of the RHOMBOID MUSCLE.