Gestalt principles of grouping
and MAYA N civilization
by Henryk Szubinski
By drawing only a small section of a figure or Glyph, the remaining vectors are still visable as the whole. This may be the way the Mayans computed the rotations of the Earth, Sun and moon as having night =the visual trace without the vectors and the day= the vector trace that remains and defines the visable sections that make the whole.
and MAYA N civilization
by Henryk Szubinski
By drawing only a small section of a figure or Glyph, the remaining vectors are still visable as the whole. This may be the way the Mayans computed the rotations of the Earth, Sun and moon as having night =the visual trace without the vectors and the day= the vector trace that remains and defines the visable sections that make the whole.
The above mentioned missing pieces are physical because they can be made into small glyphs of clay and are then the physical representation of space and the planet, the sun and the moon that displaces through the empty space as GAPS in the Glyph design.
from Wikipedia
The principle of closure refers to the mind’s tendency to see complete figures or forms even if a picture is incomplete, partially hidden by other objects, or if part of the information needed to make a complete picture in our minds is missing. For example, if part of a shape’s border is missing people still tend to see the shape as completely enclosed by the border and ignore the gaps. This reaction stems from our mind’s natural tendency to recognize patterns that are familiar to us and thus fill in any information that may be missing.
Closure is also thought to have evolved from ancestral survival instincts in that if one was to partially see a predator their mind would automatically complete the picture and know that it was a time to react to potential danger even if not all the necessary information was readily available.
The principle of closure refers to the mind’s tendency to see complete figures or forms even if a picture is incomplete, partially hidden by other objects, or if part of the information needed to make a complete picture in our minds is missing. For example, if part of a shape’s border is missing people still tend to see the shape as completely enclosed by the border and ignore the gaps. This reaction stems from our mind’s natural tendency to recognize patterns that are familiar to us and thus fill in any information that may be missing.
Closure is also thought to have evolved from ancestral survival instincts in that if one was to partially see a predator their mind would automatically complete the picture and know that it was a time to react to potential danger even if not all the necessary information was readily available.
from Wikipedia
The principles of grouping (or Gestalt laws of grouping) are a set of principles in psychology, first proposed by Gestalt psychologists to account for the observation that humans naturally perceive objects as organized patterns and objects, a principle known as Prägnanz. Gestalt psychologists argued that these principles exist because the mind has an innate disposition to perceive patterns in the stimulus based on certain rules. These principles are organized into five categories: Proximity, Similarity, Continuity, Closure, and Connectedness.[1][2][3][4]
Irvin Rock and Steve Palmer, who are acknowledged as having built upon the work of Max Wertheimer and others and to have identified additional grouping principles,[5] note that Werheimer's laws have come to be called the "Gestalt laws of grouping" but state that "perhaps a more appropriate description" is "principles of grouping."[6][7]
The principles of grouping (or Gestalt laws of grouping) are a set of principles in psychology, first proposed by Gestalt psychologists to account for the observation that humans naturally perceive objects as organized patterns and objects, a principle known as Prägnanz. Gestalt psychologists argued that these principles exist because the mind has an innate disposition to perceive patterns in the stimulus based on certain rules. These principles are organized into five categories: Proximity, Similarity, Continuity, Closure, and Connectedness.[1][2][3][4]
Irvin Rock and Steve Palmer, who are acknowledged as having built upon the work of Max Wertheimer and others and to have identified additional grouping principles,[5] note that Werheimer's laws have come to be called the "Gestalt laws of grouping" but state that "perhaps a more appropriate description" is "principles of grouping."[6][7]
The Releif structure r topographic structure that shows the high and low positions as related to the MAYAN Glyphs may indicate that the dimensionality of those glypgs were made by some mathematics of the 1(alpha) = expansion ( upwards solid structure of 10 ,100,1000) and 2(beta) = contraction of the solid stone of the engravings as being spacial, or empty .
So the definition of MAYAN Calender date 2012 defines the upwards and downwards motions of the alpha and beta by the following surface engraving rule;
2000 = reduction of the solid CLAY of the Glyphs
10 = the lower surface of the Clay Hyroglyphs
2= the reduction into the stone.
These are basically equal to each other ,meaning 2 may = 10 and as such may define the type of printing that uses ink and releif opposition.
Meaning that the stone may be carved out =an empty space between 2 solid matter functions so that the 3rd carving will equate to the previous 2 layers as being
the space and the matter.
From the MAYAN creation myths, the rule of the 3rd layer may be the rule of Earth and it's minerals and clays that go into making the Earth as it appears to be, full of mountains and features.
So the definition of MAYAN Calender date 2012 defines the upwards and downwards motions of the alpha and beta by the following surface engraving rule;
2000 = reduction of the solid CLAY of the Glyphs
10 = the lower surface of the Clay Hyroglyphs
2= the reduction into the stone.
These are basically equal to each other ,meaning 2 may = 10 and as such may define the type of printing that uses ink and releif opposition.
Meaning that the stone may be carved out =an empty space between 2 solid matter functions so that the 3rd carving will equate to the previous 2 layers as being
the space and the matter.
From the MAYAN creation myths, the rule of the 3rd layer may be the rule of Earth and it's minerals and clays that go into making the Earth as it appears to be, full of mountains and features.
tHE ABOVE contours ARE the basis of the Glyphs and how they were printed into the clay by some surface such as WOODBLOCKS are used to make ink printing function on paper. The basis of the topography of the ancient methods of printing into clay may have existed in the MAYAN civilization as the system where the GLYPHS are smart enough to define interaction of the reader by way of heightened sense awareness or knowledge of the 3rd layer in the print INDENTATION.
shown below are WOODBLOCKS of the Japanese alphabet.
shown below are WOODBLOCKS of the Japanese alphabet.
The MAYAN counting system would also be a type of WOODBLOCK printing system using relief of the highest surface as the areas that are coated with ink and which transfer the image when placed on a regular flat surface such as paper.
So then, the Glyphs of Maya as CLAY INDENTATIONS and the NUMBERS INDENTATIONS may be the 2 sides that result in the 3rd or the 4th. This counting of the layers would continue to make the topographic functions of surface features increase into the topography of the Pyramids and beyond.Natural objects such as branches and shells could also be pressed into clay to make prints as well as the use of fire to burn into clay tablets that were used for the weight of ne tablet on top of another to give more pressure and weight transferance into the indentations of images on wet clay surfaces. So the Mayan counting system defines the weight of the clay on top to define the clay below with it's images being trasfered by various weight indications as seen below.
In this way these layers of clay and stone tablets could be sliced through the middle and the side view of the layers being exposed could be observed to have some special
symbolic structures that were then used as the clues in the making of pyramids and how to cut the large stone blocks and how to lift them .
So then, the Glyphs of Maya as CLAY INDENTATIONS and the NUMBERS INDENTATIONS may be the 2 sides that result in the 3rd or the 4th. This counting of the layers would continue to make the topographic functions of surface features increase into the topography of the Pyramids and beyond.Natural objects such as branches and shells could also be pressed into clay to make prints as well as the use of fire to burn into clay tablets that were used for the weight of ne tablet on top of another to give more pressure and weight transferance into the indentations of images on wet clay surfaces. So the Mayan counting system defines the weight of the clay on top to define the clay below with it's images being trasfered by various weight indications as seen below.
In this way these layers of clay and stone tablets could be sliced through the middle and the side view of the layers being exposed could be observed to have some special
symbolic structures that were then used as the clues in the making of pyramids and how to cut the large stone blocks and how to lift them .
The brakket keeps each clay slabb in place while at the bottom of it, there is a small edge. The pressure and weight on each level may infact displace small pebbles through the whole clay slabb layers and exit through the alternate side.This defines the ancient methods of clay as the anti matter type where the pebble size may = some lower edge size and the velocity at which the pebbles are pressed downwards and out wards as Vel
size =edge size / Velocity.
as the FREE ENERGY FUNCTION of NATURAL EVENTS that occur in Earth's geology and define gravity as well as the various layers of the inner Earth.
size =edge size / Velocity.
as the FREE ENERGY FUNCTION of NATURAL EVENTS that occur in Earth's geology and define gravity as well as the various layers of the inner Earth.