THE ESSENCE
by Henryk Szubinski
Student of Archaeology 2013
Lund's university (Sweden).
Everything in nature is like the Cream, of good health applied to the hands or body, also uses of the ancient ways that
natures essence was pure and clean. Meaning water was seen as this type of creme that could be used to wash, to bathe
and to interact with nature. So to air had this creme value and so too did the Earth and the clouds, everything it seemed,
could be touched and applied to the body as the essence of it. So then, the Shaman had also his master, the Wizard.
From this method of natural interactions with the medicines of the Earth there were many WIZARDS of "LONG AGO".
The name ,"wizard" means, " the one who can not only spiral in and out of the way that the essence is made" by way
of the pure natural mathematics of the galactic spiral but also the facts of the SPIRAL ESSENCE becoming denser and
more pure the closer one gets to the center of it.
So many WIZARDS were preoccupied with various natural environments. The MAYAN WIZARDS, as will be shown below,
were the WIZARDS of the JUNGLE. While other wizards in Europe, such as the NORDIC WIZARD would seek the natural state
of the MOLTEN EARTH and LAVA as the ESSENCE. In this there was a way to define repeatability beyond nature so that
everything could be perceived as either 1/2 or 1/4 or 1/8 or 1/16 of the whole, so in this way LAVA also has similarity to the
spiral as the lava oozes and folds like serpentine patterns.
in NORDIC languages this is known as
SMORDA:meaning "GREASED"
The Wizard MERLIN was famous because he could define the RATIO's of his origins as having more mother figures than any one
who ever lived as long as he did because he worshipped the old and new ways of magic, which were his only objects of his
beliefs , to his mother, the "LADY of the LAKE" and her sister "QUEEN MAB" meaning he was either son to the LADY of the
white lake as his AUNTIE or that Queen MAB was his Auntie, meaning his mother was the lady of the white lake.
The intertwining of the story shows Merlin as the successor to magic by respecting nature and also the ESSENCE of the
MAGIC that creates living beings, himself included and how this inclusion relates to one self and nature together as the
SEED to RUB it in , meaning seeds that are good for the body when they are pressed.
So there are 3 :
1) SELVA (Portugese) = JUNGLE as how to focus oneself into the jungle, while everything is already so "NATURALLY" centered with every living creature,
that to enter means to be excluded or that , to enter as , WIZARD would be difficult.
2) SMORD(Swedish) =CREME as stages in Earth's evolution.
3)SEED(English) =FLYIDITY or our source in the old ways (darkness) and the new ways of magic (light).
To access natures essence, the use of one was as good as another in terms of the opening of the mind beyond the barriers of what may
be perceived as the "NATURES OWN OPENING BEYOND SOME PORTAL".
Here is an excerpt from the :
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Amazonia: A Laboratory for Fiction Permalink https://escholarship.org/uc/item/5km6b493 Author Jaramillo, Camilo Publication Date 2016-01-01
Peer reviewed|Thesis/dissertation
date 2018
May 31
time, 21:08
Abstract Amazonia: A Laboratory for Fiction by Camilo Jaramillo Doctor of Philosophy in Hispanic Languages and Literatures University of California, Berkeley Professor Natalia Brizuela, Chair
Amazonia: A Laboratory for Fiction, analyzes the process and the forms through which Amazonia became a literary topic in the twentieth century. This dissertation proposes that the emergence of modern literature about the region articulates a distrust of the discourses and practices of imperial and neo-colonial territorial apprehension. It proposes the study of a regional tradition, looking at Hispanic and Brazilian texts in dialogue, and it focuses on the selfreferential practices of this tradition. By doing so, this dissertation claims that Amazonia has served as a laboratory of representation and fiction that has contributed to the transformation and evolution of the Latin American novel. Ultimately, what is at stake in this research is the emergence of modern literature as a means to destabilize the imageries and practices that have forced Amazonia’s integration into processes of modernization. To this extent, this dissertation is an inquiry into the relationship between aesthetics, science, and politics, and constitutes a critique of History. It intervenes in debates on theory of the novel, postcolonial studies, and ecocriticism. The first chapter shows how Euclides da Cunha’s À margem da história (1909) forges a new national language informed by science and poetics that ultimately creates a new imagery of the region as an inapprehensible space. Da Cunha’s essays inaugurate a literary tradition that the “novelas de la selva” further develop by continuing to challenge the modes through which it has been portrayed. To this extent, the second chapter focuses on how José Eustasio Rivera’s La vorágine (1924) questions the domestication of nature rendered by the aesthetic of modernismo and stages a crisis of representation from which Amazonia surfaces as a disorienting and unconquerable site. The creation of the novel La vorágine itself is the outcome. Rivera’s novel consolidates the modern literature of the region as a self-referencing tradition that underscores its own aesthetic practices, becoming a site that debates and questions the discursive constructs through which the Amazon has been imagined. Following this, the third chapter studies how Alejo Carpentier’s Los pasos perdidos (1953) constructs the “selva” as an artifice through a mechanism of quotation of previous texts like La vorágine, thus generating a critical gap between the text and the “real” geographical referent. The fourth chapter analyzes Milton Hatoum’s Órfãos do Eldorado (2008) as a critique of the inscription of Amazonia into western “civilizing” discourses of History through the idea of memory as a means to reconstruct the ruins of the present left by modernization.
The selva of the jungle is very difficult to find as it is so dense.
The NORDIC ESSENCE as the regeneration of Earth by new essence.
Seeds and their availability as opening the SHELL or CRUST to find them and use them in Magic or in health foods.