BITS and PIECES and POWER.
by Henryk Szubinski
from webster Collins dictionary.
bits and pieces plural noun
Definition of bits and pieces
1 : small pieces
There were broken bits and pieces of glass all over the floor.
I finished the project in bits and pieces during my spare time.
2 : things or objects of different kinds
There are just a few bits and pieces of furniture in the office.
No one knows exactly what happened. All we have is a few bits and pieces of information so far.
THE FACTS OF TRENCADIS as the ART of ceramics not only relates to the SPACE SHUTTLES CERAMIC underside to protect it from HEAT at REENTRY but may also be the method by which small SHARDS of HEAT CONDUCTIVE or ENERGY and CURRENT conductive technology may be used to CREATE FREE ENERGY SURFACES by making the NUMBER OF TILES = +1 TILE in between them =the CONDUCTIVE CYCLE of the +-1 extra on the edges.
from wikipedia
date 2018
October 26
Trencadís (Catalan pronunciation: [tɾəŋkəˈðis]), also known as pique assiette, broken tile mosaics, bits and pieces, memoryware, and shardware, is a type of mosaic made from cemented-together tile shards and broken chinaware.[1][2] Glazed china tends to be preferred, and glass is sometimes mixed in as well, as are other small materials like buttons and shells. Artists working in this form may create random designs, pictorial scenes, geometric patterns, or a hybrid of any of these.[1]
Although as a folk art the method itself may be centuries old, the two most commonly used terms are both of modern origin. Trencadís, a Catalan term that means 'chopped', is the name for this method as it was revived in early 20th century Catalan modernism, while pique assiette is a more general name for the technique that comes from the French language. In French, pique assiette ('plate thief') is a term for a scrounger or sponger, and thus as a name for this mosaic technique, it refers to the recycled or 'scrounged' nature of the materials.[1][2]
Technique
Traditional mosaics, such as classical Roman floors, are made up of individual tesserae, usually small cubes that are uniformly shaped and designed for their intended use. Trencadís differs in that the tesserae are nonuniform pieces broken from tiles and chinaware originally made for other uses. Trencadís is thus a form of bricolage, found object art, or recycled art.
There are two main methods for trencadís. In the first, an initial design is drawn up and the ceramic fragments are carefully fitted into the design; in this case, the mosaic is only cemented together once all of the fragments have been placed. Alternatively, an artist may spontaneously arrange fragments without a prior design; here the success of the finished work depends greatly on their improvisatory skill.
Notable artists and works
Antoni Gaudí and Josep Maria Jujol
The Catalan modernist architects Antoni Gaudí and Josep Maria Jujol used trencadís in many projects, among which Barcelona's Parc Güell (1900–1914) is probably the most famous. Gaudí's first use of this technique was at the Güell Pavilions, where the sinuous architecture forced him to break the tiles in order to cover the curved surfaces.[citation needed]
Gaudí tended to create patterns with his trencadís work, and he leaned towards brightly colored glazed ceramic shards. He often used discarded pieces of ceramic tile collected from the factory Pujol i Bausis located in Esplugues de Llobregat, as well as pieces of white ceramic from broken cups and plates discarded by other Spanish manufacturers.[citation needed]
Raymond Edouard Isadore
In France, the term pique assiette is most closely associated with Raymond Edouard Isadore (1900–1964) a French graveyard sweeper and folk artist. Starting in the late 1930s, he spent 30 years covering both the inside and outside of his house as well as his furniture and his garden walls with mosaics.[1][3] He found his materials in the surrounding fields and quarries, in the public dump, and at auctions.[1] This habit of scavenging earned him the nickname "pique assiette" later shortened to "picassiette".[3]
Isadore, a very religious man, created many of his mosaic scenes with Christian personages and symbols.[4] He also built a "sweeper's throne" and a "sweeper's tomb" covered in pique assiette.[4] As the mosaics expanded, the project became more widely known, and in 1954, Pablo Picasso visited Isadore's house.[4] Today, the house is a tourist attraction near Chartres known as "Maison Picassiette".[1]
These were popular as the ROYAL DECORATIVE ART that existed in the middle ages or previous to it in MOSAICS that adorned most of the palaces and places of worship.
Their use as FREE ENERGY has been ILLEGALLY DENIED and their use is now unacknowledged.
In this image of the FLYING SAUCER in the Movie; "Close encounters of the third kind" the object has been constructed with the SHARDS or sections of BITS and PIECES that COMBINE to give the overall effect of their Inner, In between and outer edges as the Trencadís method of making surfaces that conduct energy on larger surfaces that might even be the size of football fields but which give the effect of FREE ENERGY.
theory:
So then, the alpha expands from within by being greater than the Beta attraction back to the center and the amount of numbers greater than beta are x1000 pieces of the THE FACTS OF TRENCADIS as the way between them= gamma or 3 sides to the whole field ,as inner and it's area being equal to triangle. So that to displace over the triangle edges the beta ressonates with the gamma as 1000 x 3 or 3000 vibration frequency of the functions that the new alpha as equal to the gamma is in the center and the edges simultaneously so that the center may jump over beyond the edge by using a CENTERED CIRCUIT with 4 sides which will alternate at some time so that the pulse of it will let other signals of the alpha and beta and gamma pulse out . The effect = free energy as the ETHA function or the 5th side outside the triangle, meaning it has 5 sides. The whole is made by the SHARDS and the AREa may be very large.