THE SCIENTIST ARTIST
by Henryk Szubinski
Basic projective nr system of art and = x th jump to physics professor of art and science.
based on the indications of the artistic method of approach as made into gesture of the
human body.
basics of interactive analisis of the art and physics of the basic interactions that define
the artist and the theory used to define works or art as related to basic body language
and the accerted acceptance of the basic reference as physical on either side gained
by the physics proffessor and the motion language of the artist as the input into 2 sides
of the computationality. The resulting language interaction as the basis for the conclusive
reference to the parameters of 1+1 = 2 as such becomes the basis of the 3rd instance of there
being a real and definite result to whcih the statements of the professor continue to define the total
universe and everything in it as based on the motion towards the accertive commentary = the
resulting values as in an exam. The basics of the search for the mental imagery of the larger
universe and the ability of the artist to input the types of sugggestive values for defining the
galaxy by statement of the reason the image was searched for ; As a category of predefined use
of it as projective 1,2,3,x".
The image is then projected to the physics artist by defining the stages involved with the projective by
1,2,3x, as real data that states that which the projection does as the prime
need for a translation = to the need for pre requirement image priority so that the physics and art
professor may then ,on the same image basis of the computer monitor explain the projection
by the artistic method to "HAVE TO NEED IT " to make sense as the artistic meaning of the
image.
for example as making the argument greater in it's basic shape by stating that the
galaxy is a spiral and thus to interact on a larger basis of the motion to continue the basics
stand still of the science of art and the scientist with the incredible moment of recognition , that
"yes the spiral as art language " defines the basics of the input of the prime surface system as
that used in basic projections.
The basis of the control vector analysis and the make shift ability to contact the alternate surface
of the artistic medium by the base left side of the cognition and the right side as the type of responsive
environment of the professor after making the conclusive remarks to the basics of the
post linear reality that there are basic visual incongruities such as GALLILEO GALLIELI .
So to define the whole of the imagery that displaces along the lines of having such interactions
the rule of the body language and the exctness of the professor knowing what he is doing on many
approaches imultaneously such as the
art 1 ,art 2, art,3 in general as the use of input computer1 computer output 2 computer interaction 3
and the basis of the artist as the current modern method of interactions by the artist having
the computer 4 ,personal computer and computer 5 choice of program and computations 6 as the
ability to faze in and out and between the variables of the science of art and physics as art by way
of the total universe having to rely on the most basic prerequisites for making art and science go
together. They are , the universe and the translations of them by way of answering the basic questions of
"What are they made of,
where do they derive their reality from and
what defines their basic artistic shape.
Whith these basic relations of the mind being able to read the speech and the speech being
able to read the mind, the professor of art and science becomes the interval of the artist who's trying to
understand the basis of his or hers position between the art and the physics.
The rule is to use the medium of imagery as basic to the understanding of the rules of the computational
error as having the direct indications as to what kind of art it as defining .As such that "It is not an error ,just
a variable translation and as such artistic in need of physics definitions " so then,
any problem defined with the mix of physics = the artistic definitions of it as being the obvious question
that has a MEDIAL value in the interval space . This space defines the medium of the area or volume of
the artistic pre requirement as well as the professor of art physics interacting with the many types of
computations.- How there are 4 th and 5th and 6th types of computational values in interaction with
the physics art professor and the artist that are those
that result from the program response to historical data and that in response to the the memory
responses of the artist and that which becomes adapted by the interaction of the ART PHYSICS as
having the prerequisite advancement to make the artist interact on the basis of the extended reality
to which the type of body position is indicated as being the resulting parameter as the answer to,
"Where did that artistic thought question and answer Go ?"
Well the professor indicated it with his hand in the gesture that defined it's resulting position as part
of the discussion and in the terms that continue association. IN this way the empty space becomes
the physical reality of the artist and the physics professor using the space to interact
as though it were the physical medium of the artist defining the reasons of his art by the extended
brush or pencil of charcoal or pen as being the physics professor that guides the artist to the
resulting definitions that explain the artists own motivation in physics terms. And as such this basic
vector guidance becomes the most easy and functional way to state that the science continues to
develop while the artist continues to learn. BY statements of fluids and their dynamics, the ability to
sub divide the types of artistic tools as dynamic change by the physicist, the artist also has some
function to state which is which and by doing so may start to relate to the
laws of art as thoose of physics. That many various artists would approach the physics professor
in the same way may indicate that there could also be differences of the approach and the physics
related to it. However the most basic type would be the sociological zone as that which is the most
primal and whith some basic interactions of the NOBEL PRIZE having it's indicator of the motion of
a hand for example as that which includes the physics professor of science and art together.