IMMORTAL SORCERERS from the MAYAN age of Antiquity and the GALACTIC BEAM ALIGNMENT
meaning: There are billions and billions of worlds in our galaxy that have even more ways to reproduce.
Our world is only one of many such worlds.
by Henryk Szubinski
The facts of the MAYAN sorcerer; "The death defier" as the reference to the IMMORTALITY by way of the NEW DEVELOPMENT in the new human race ,known as the PANDROGEN (the Art of Dreaming: Carlos Castaneda)..
The facts of this new human being is related to the facts of the "white blood count" as = 23 in both males and females of the human species.
as the PERIODIC ACTIVATION of the minimal periodic =10(the TENANT) and the higher "non periodic" as = 23 <---change--->26(as BIRTH).
So then, the PANDROGENOUS being may be able to be both 10 and 26 simultaneously.
This reality of variables of our sex expression are real, but it is also real in the World of flowers and their asexual reproduction. While only one
person has succeeded as far as I know to become PANDROGEN, (see the story of BREYER P-ORRIDGE ,the preformance artist).That it was done
so that the body became as the "white blood cell count of 23" ,meaning= "asexual human".He is probably the first to have done this and proves that
there are INTERVALS between human reality where he can think and interact and be responsive to other people,and without any limitations.The
closest way to describe this would be to describe the ENERGY LEVEL of our human brains as existing between wakefulness and sleep ,at the
same time , and the
ability to access the interval, meaning control of dreaming to any result.
THE WHITE CELL BLOOD COUNT 23
as related to the ability to project the white blood cells into the "death defier" configurations of the forwards and return projections as:+-3
23,24,25,26
as the reference to "red blood cells" and the ability of the "death defier" as baing able to project these numbers as "living energy" of the periodic change of the
23 as related to the x10 known as the death defier or his other name="The TENANT".
or as 10 =TEN .
So that the usage of the 10 , any of the progressive numbers of the 23,24,25,26 =x10
may be boosted to the
230,240,250,260 = x10
2300,2400,2500,2600=x100
23 000, 24 000, 25 000, 26 000=x1000.
As the progressive increase also has the ability to interact with the PANDROGENIC
WOMB of the dreamers energy as being able to define the PROJECTED "dreamers body" and the function of the PANDROGEN being the real person = Poridgge , a body experimenter who has displaced from male to female, to male, to PANDROGEN. The final stage of the
transformation = "the appearance"= of the MAYAN HUMAN TYPE of the type of ENERGY that may be defined as the "TENANT"(figure mentioned in the book: "The Art of Dreaming"an immortal ANDROGEN ), as the reference to something more than just we humans and more than "androgens"(the mixed gender without any clear distinction).
above: From ; Dr Steven Greer and the UNACKNOWLEDGED.
about flowers and their GENDER.
Wikipedia
2018
October 05
Plant reproductive morphology is the study of the physical form and structure (the morphology) of those parts of plants directly or indirectly concerned with sexual reproduction.
Among all living organisms, flowers, which are the reproductive structures of angiosperms, are the most varied physically and show a correspondingly great diversity in methods of reproduction.[1] Plants that are not flowering plants (green algae, mosses, liverworts, hornworts, ferns and gymnosperms such as conifers) also have complex interplays between morphological adaptation and environmental factors in their sexual reproduction. The breeding system, or how the sperm from one plant fertilizes the ovum of another, depends on the reproductive morphology, and is the single most important determinant of the genetic structure of nonclonal plant populations. Christian Konrad Sprengel (1793) studied the reproduction of flowering plants and for the first time it was understood that the pollination process involved both biotic and abiotic interactions. Charles Darwin's theories of natural selection utilized this work to build his theory of evolution, which includes analysis of the coevolution of flowers and their insect pollinators.
Andromonoecious: having both bisexual and male flowers on the same plant. Bisexual: each flower of each individual has both male and female structures, i.e. it combines both sexes in one structure. Flowers of this kind are called perfect, having both stamens and carpels.
Basic flower morphology
Flower of Ranunculus glaberrimus
The flower is the characteristic structure concerned with sexual reproduction in flowering plants (angiosperms). Flowers vary enormously in their construction (morphology). A "complete" flower, like that of Ranunculus glaberrimus shown in the figure, has a calyx of outer sepals and a corolla of inner petals. The sepals and petals together form the perianth. Next inwards there are numerous stamens, which produce pollen grains, each containing a microscopic male gametophyte. Stamens may be called the "male" parts of a flower and collectively form the androecium. Finally in the middle there are carpels, which at maturity contain one or more ovules, and within each ovule is a tiny female gametophyte.[3] Carpels may be called the "female" parts of a flower and collectively form the gynoecium.
Each carpel in Ranunculus species is an achene that produces one ovule,[4] which when fertilized becomes a seed. If the carpel contains more than one seed, as in Eranthis hyemalis, it is called a follicle. Two or more carpels may be fused together to varying degrees and the entire structure, including the fused styles and stigmas may be called a pistil. The lower part of the pistil, where the ovules are produced, is called the ovary. It may be divided into chambers (locules) corresponding to the separate carpels.[5]
TRUE POWER of the MAYAN SORECERY= the facts that the flower reproduction is so universally large in reference to REAL GALAXIES and the "VERY SMALL" comparative with the human SPERM and OVUM and the CONCEPTION.
So then, in the MAYAN view of MAGIC, the POLLENATION is so much larger than we humans and our CONCEPTION.
Meaning the Pollenation is as large as the whole GALAXY and the whole UNIVERSE in terms of how much RELATIVE DATA that is available in the MAYAN VIEW of the FACT THAT THE GALAXY gives more focus and SOURCE to the Pollen ,than our human origins.
Because the angiosperm exists between the dimensions of the WHOLE of the universe as between the states of WAKEFULNESS of the STATE of mind we sense when we are DREAMING.
The types of galaxies and the possibility that the UNIVERSE is behaving in the same way as flowers. So then, each part of the flower ,such as the OVULE=ELLIPTICAL
and the ,PETALS=the galactic SPIRALS.
The ANTHERS as = stellar clouds or groups of stars in the hundreds of thousands or millions.
Smaller galaxies as the SEPAL as BARRED GALAXIES.
The force field around galaxies as the
OVULE and the MEGA SPORES as the result of the galactic creation of STARS
So then, in the MAYAN view of MAGIC, the POLLENATION is so much larger than we humans and our CONCEPTION.
Meaning the Pollenation is as large as the whole GALAXY and the whole UNIVERSE in terms of how much RELATIVE DATA that is available in the MAYAN VIEW of the FACT THAT THE GALAXY gives more focus and SOURCE to the Pollen ,than our human origins.
Because the angiosperm exists between the dimensions of the WHOLE of the universe as between the states of WAKEFULNESS of the STATE of mind we sense when we are DREAMING.
The types of galaxies and the possibility that the UNIVERSE is behaving in the same way as flowers. So then, each part of the flower ,such as the OVULE=ELLIPTICAL
and the ,PETALS=the galactic SPIRALS.
The ANTHERS as = stellar clouds or groups of stars in the hundreds of thousands or millions.
Smaller galaxies as the SEPAL as BARRED GALAXIES.
The force field around galaxies as the
OVULE and the MEGA SPORES as the result of the galactic creation of STARS
You may get the pdf of the "Art of Dreaming" by Carlos Castaneda.
CHAPTER 11 THE TENANT ; quotes.
"Why didn't you tell me that the tenant is a woman?" "That sorcerer in there is the death defier," he said solemnly. "For such a sorcerer, so versed in the shifts of the assemblage point, to be a man or a woman is a matter of choice or convenience.
"The first part of the dreaming lesson in question is that maleness and femaleness are not final states but are the result of a specific act of positioning the assemblage point," he said. "And this act is, naturally, a matter of volition and training. Since it was a subject close to the old sorcerers' hearts, they are the only ones who can shed light on it." Perhaps because it was the only rational thing to do, I began to argue with don Juan. "I can't accept or believe what you are saying," I said. I felt heat rising to my face. "But you saw the woman," don Juan retorted. "Do you think that all of this is a trick?"
"death defier" in Spanish as el desafiante de la muerte, and "tenant" as el inquilino, both of which automatically denote a male. But in describing the relationship between the tenant and the naguals of his line, don Juan kept on mixing the Spanish-language male and female gender denotation, creating a great confusion in me.
every flower needs the presence of the BUTTERFLY as that which does the "POLLINATION".
So then, there must be more butterflies than there are flowers in the galaxy or there are less butterflies than
there are flowers in the galaxy.They cancel each other out.
So there is no chaos because
there is no universal butterfly effect.
There are however millions of butterflies in places in MEXICO that fill the sky and which flapping exists in another
dimension of sound frequencies that are possible to be SENSING when the dreamer is in the GATE of POWER.
The physics of it.
That 4 butterflies could lift the weight of one flower by their power of wing flapping.
Everything in nature has some type of interaction like the butterflies and the flowers.
CHAPTER 11 THE TENANT ; quotes.
"Why didn't you tell me that the tenant is a woman?" "That sorcerer in there is the death defier," he said solemnly. "For such a sorcerer, so versed in the shifts of the assemblage point, to be a man or a woman is a matter of choice or convenience.
"The first part of the dreaming lesson in question is that maleness and femaleness are not final states but are the result of a specific act of positioning the assemblage point," he said. "And this act is, naturally, a matter of volition and training. Since it was a subject close to the old sorcerers' hearts, they are the only ones who can shed light on it." Perhaps because it was the only rational thing to do, I began to argue with don Juan. "I can't accept or believe what you are saying," I said. I felt heat rising to my face. "But you saw the woman," don Juan retorted. "Do you think that all of this is a trick?"
"death defier" in Spanish as el desafiante de la muerte, and "tenant" as el inquilino, both of which automatically denote a male. But in describing the relationship between the tenant and the naguals of his line, don Juan kept on mixing the Spanish-language male and female gender denotation, creating a great confusion in me.
every flower needs the presence of the BUTTERFLY as that which does the "POLLINATION".
So then, there must be more butterflies than there are flowers in the galaxy or there are less butterflies than
there are flowers in the galaxy.They cancel each other out.
So there is no chaos because
there is no universal butterfly effect.
There are however millions of butterflies in places in MEXICO that fill the sky and which flapping exists in another
dimension of sound frequencies that are possible to be SENSING when the dreamer is in the GATE of POWER.
The physics of it.
That 4 butterflies could lift the weight of one flower by their power of wing flapping.
Everything in nature has some type of interaction like the butterflies and the flowers.
from:
taniamarieartist.wordpress.com
date 2018
October 05
THE GALACTIC BUTTERFLY
from MAYAN CULTURE.
In a previous post, I shared a little bit about the Mayan Hunab Ku symbol, also known as the One Giver of Movement and Measure and the Galactic Butterfly (my favorite description). I wanted to explain its symbolism a little further and its connection to the now, as well as its butterfly connection. To the Mayans, butterflies are seen as ancestors returning for a visit to physicality, and part of that return is to support the shifts in consciousness by bringing back the wisdom, integrated into the now, for a return to natural harmony.
Again, this symbol (Hunab Ku) is said to represent all consciousness that has ever existed in this galaxy: all our physical ancestors including human, animal, reptile, fish, shell fish, plants, as well as the consciousness which organized all of the raw material from a whirling disk into stars, then planets, and solar systems. It’s meaning is so huge that the original Maya had no symbol for this. In their civilization it was like having no name for God. Just knowing the concept was good enough. Later this pattern was devised by Toltec or Zapatec weavers as a pattern for blankets and this is where Jose Arguelles came across it. He called it Hunab Ku. The indigenous peoples call it “The Galactic Butterfly.”
This symbol is very powerful, as it broadcasts one’s reaching to actively join the consciousness of our galaxy. The Maya taught that the Milky Way Galaxy is the generator of life. The architect of the universe is called Hunab Ku, The Absolute Being, The Center of the Galaxy, The Universal Dynamism, which stimulates and motivates life in its total manifestation of spirit and matter. The principle of intelligent energy that pervades the entire universe. Hunab Ku is understood to transmit radiant energy information through stars which serve as lenses to transmit energies to planets. Our Sun is the chief mediator of Hunab Ku for our planetary system, the lens by which Earth receives direct galactic information. The pulsations of Hunab Ku are understood as a language of codes and energies recorded in the form of the Tzolkin, a universal harmonic module accommodating every possible permutation of Hunab Ku, also known as the Sacred Calendar. Numerically, Hunab Ku is communicated as the union of numbers 13 and 20, which represent movement and measure, energy and form, spirit and soul.
Hunab Ku, who can see and understand everything, knows that the time for the great change has come. We will complete a 26,000 year cycle, according to the calender on 12/21/12 – not the end of the world, but the beginning of a new experience of life as we have never known. A new cycle has already begun and life as we know it is evolving continuously and rapidly. A cycle that calls us to realign with the cosmos, which can provide essential energy needed to live together harmoniously and with honor for our Mother Earth. We are not separate from anything or anyone. These are the times in which all races, from all directions, must come together in harmony and unity. The Hearts of All Beings are connected. It is impossible to be disconnected.
Many indigenous peoples of the New World hold butterflies in a special place in their culture and butterfly motifs were used everywhere including ceramics, stone carvings, mural paintings, codices, feather work, wood carvings, and gold ornaments. They appear not only in pure form, but in many highly stylized renditions, sometimes so abstract that they were frequently misinterpreted by pioneer archaeologists.
Xochiquetzal, symbolized by a Mayan mythological butterfly, was called “precious flower” and regarded as a mother goddess, goddess of love, goddess of flowers, as patron of all fine arts, as the symbol of beauty, as the symbol of fire, as a symbol of the spirits of the dead, as the patron of domestic laborers and as the patron of warriors killed in battle.
Itzpapalotl, the Aztec “obsidian butterfly,” was a mother goddess, goddess of obsidian and knives, of human sacrifice and of war, the personification of the Earth, the patron of women who died in childbirth and more.
Here are some more relationships of the SOURCES of the ways of the NATURAL method of MAYAN magic.
Electron microscope image of Germanium and Pollen.
This could be the way that our dreams are made inside the brain, by synaptic connections of the inner volume of the brain as related to the inner side of this
volume where brain signals displace outwards by making synaptic connections to this inner layer of extra sensory connections in an attempt to reach the outside world by way of such connections as the DREAM ENERGY LINKS .
THERE ARE MANY WAYS in WHICH the FLOWER REPRODUCES.
The breeding system, or how the sperm from one plant fertilizes the ovum of another, depends on the reproductive morphology, and is the single most important determinant of the genetic structure of nonclonal plant populations. Christian Konrad Sprengel (1793) studied the reproduction of flowering plants and for the first time it was understood that the pollination process involved both biotic and abiotic interactions.
This could be the way that our dreams are made inside the brain, by synaptic connections of the inner volume of the brain as related to the inner side of this
volume where brain signals displace outwards by making synaptic connections to this inner layer of extra sensory connections in an attempt to reach the outside world by way of such connections as the DREAM ENERGY LINKS .
THERE ARE MANY WAYS in WHICH the FLOWER REPRODUCES.
The breeding system, or how the sperm from one plant fertilizes the ovum of another, depends on the reproductive morphology, and is the single most important determinant of the genetic structure of nonclonal plant populations. Christian Konrad Sprengel (1793) studied the reproduction of flowering plants and for the first time it was understood that the pollination process involved both biotic and abiotic interactions.
Because flowers are asexual ,meaning they create the new plant by their own interactions , the fact that humans are in this stage of the "interval" when we are not reproducing new humans, this gap may exist as the DREAMING BODY in which we humans who have "little to do" ,may make dreams that are asexual in reference to the thoughts which are not limited to reality but which may become the source of the MAGIC OF OUR DREAMS.
We humans have the predisposed view of reality as being inside ,as our dreams and also outside as the function of reproduction ,to which the need for opposites aligns with the creation of new individuals.
So the inner volume =dream surface
and the outer volume= human interaction may be
related to the INTERVAL of the type of surfaces IN and OUT as seen in ANGIOSPERMS (asexual).
So there are also INTERVALS of reproduction with sides of one gender with another side and also
by itself and with the help of pollen.
Here's an example of asexual flower reproduction.
We humans have the predisposed view of reality as being inside ,as our dreams and also outside as the function of reproduction ,to which the need for opposites aligns with the creation of new individuals.
So the inner volume =dream surface
and the outer volume= human interaction may be
related to the INTERVAL of the type of surfaces IN and OUT as seen in ANGIOSPERMS (asexual).
So there are also INTERVALS of reproduction with sides of one gender with another side and also
by itself and with the help of pollen.
Here's an example of asexual flower reproduction.