Stonehenge and the meaning of it.
by Henryk Szubinski
basically
Stonehenge and it's physical presence may be defined by parts of it together in one larger whole.
To define the hills as the foreground and background waves that make the landscape and then
the clouds that also move in waves as in the foreground or the positions of them above or in front
of Stonehenge. So to ,there are waves that overlap as the background is transposed on the fore ground
and the foreground is transposed on the background giving the sum of waves together.
So i have defined these characteristics by using the Greek numerals and defined them in those categories.
So while the focus is on the center of Stonehenge , here too are details of the whole as the action and reaction
center of the stones in their various positions relative to the Sun being observed in the center, which is the Why
of the question.
Because the why of the why, is that the weight will ebb or displace up and down or bob in some way that may be
computed by action and reaction and the small difference of the bigger difference of the Sun is what make sense out
of the non sense ,because the center is exemplified by larger objects being related to the smaller objects of the
blue stones that make Stonehenge what it is.
image credit
Physics stack exchange.
Physics stack exchange.
Here are the basics waves and their faze as related to the center and the larger weight of it as action and reaction potentials.
The action reaction potential of stretching and relaxing and being between those states of consciousness and being receptive to the larger whole as the sense of weightlessness that many astronauts say is the opening between them into and through the portal to natures consciousness.Magic could be said to be the sense of bouncing or as the coil or spring motion as you connect to monoliths and heighten your sense into sensuality.
Facts from Wikipedia
In the left half, the spring is far away from any gravity source. In the right half, it is in a uniform gravitation field. a) Zero gravity and weightless b) ...
More of my own theory.
So then, by having defined the basics of waves and action reaction we see that the whole functions like an access portal into the world of nature and it's sense perception on a larger level of emotional contact.
The facts are that the center is already there as the 3 blue stones positioned there, so the action reaction is based on their relative position. Not so much as the Sun ,only, or the Moon only.
So these 3 may have their action and reaction also functioning as waves that are transposed or in faze.
The key is between these central waves ,on the lower or upper sides of them.
Because the center defines the portal and to access it you need to relate to the action potential of your weight or something physical, like moving around and sitting down or by stretching your arms and legs.
The other side of it ,is then ,the reaction potential of the opening of Stonehenge and the world in whole by the facts of "nature must protect it self". No matter what creature or vegetation you are relating to, each must protect itself from every other creature and vegetation. So in total, we sense this when the reaction potential is all there is in nature and this reaction to protect, protects not only the whole world but the oceans, the atmosphere and us humans.
This becomes the awake sense we share with nature, that defines what we do after relaxing our body, we simply become more sensual.
So then to access the Stonehenge is not that difficult , you simply put the action with the reaction as sides of the equation and enter between them. And the thing about being sensual is that we may perceive the earth mother protecting herself from other things, which she does when there is no human interaction. So get to know nature on the sensual level and you get to know mother nature and she has no need to protect herself against your own self. Meaning , that Gaia will get to know you and she will share her ways of protecting herself together with your own self. So then it's the learning experience that nature shares with every living being.
So now we humans have the way to protect nature. It's not so difficult to do and you have no excuse to waste away.
image credit
Historic England .org.
The facts are that the center is already there as the 3 blue stones positioned there, so the action reaction is based on their relative position. Not so much as the Sun ,only, or the Moon only.
So these 3 may have their action and reaction also functioning as waves that are transposed or in faze.
The key is between these central waves ,on the lower or upper sides of them.
Because the center defines the portal and to access it you need to relate to the action potential of your weight or something physical, like moving around and sitting down or by stretching your arms and legs.
The other side of it ,is then ,the reaction potential of the opening of Stonehenge and the world in whole by the facts of "nature must protect it self". No matter what creature or vegetation you are relating to, each must protect itself from every other creature and vegetation. So in total, we sense this when the reaction potential is all there is in nature and this reaction to protect, protects not only the whole world but the oceans, the atmosphere and us humans.
This becomes the awake sense we share with nature, that defines what we do after relaxing our body, we simply become more sensual.
So then to access the Stonehenge is not that difficult , you simply put the action with the reaction as sides of the equation and enter between them. And the thing about being sensual is that we may perceive the earth mother protecting herself from other things, which she does when there is no human interaction. So get to know nature on the sensual level and you get to know mother nature and she has no need to protect herself against your own self. Meaning , that Gaia will get to know you and she will share her ways of protecting herself together with your own self. So then it's the learning experience that nature shares with every living being.
So now we humans have the way to protect nature. It's not so difficult to do and you have no excuse to waste away.
image credit
Historic England .org.
Many magicians have tried to define the shared sensuality with nature by using the spring effect that displaces up and down in places with great weight such as the weight of the blue stones of Stonehenge. They describe it as the 3 spirals that defines the up, mid and down spring action as totally stabilized into stillness of the way nature feels.
You find it in the Celtic symbols.
The waves of the total wave faze of landscapes of land, air and water are intertwined so as to give the intertwining with the waves of the center of Stonehenge. As such the wave faze in the center have weight =up and down (action and reaction that define the sum of them as open for portal use as magical ),are combined into the change of the angle of the wave that is the spiral.
The magic portal is the "hollow triangle" in the center between the spirals or it may be the " three centered triangle"= space of sense perception.
You find it in the Celtic symbols.
The waves of the total wave faze of landscapes of land, air and water are intertwined so as to give the intertwining with the waves of the center of Stonehenge. As such the wave faze in the center have weight =up and down (action and reaction that define the sum of them as open for portal use as magical ),are combined into the change of the angle of the wave that is the spiral.
The magic portal is the "hollow triangle" in the center between the spirals or it may be the " three centered triangle"= space of sense perception.
The hollow triangle or the space triangle.
image credit
pixbay.
image credit
pixbay.
from
wikipedia
date 2019
january 15
The Penrose triangle, also known as the Penrose tribar, or the impossible tribar,[1] is a triangular impossible object. It was first created by the Swedish artist Oscar Reutersvärd in 1934. Independently from Reutersvärd, the psychiatrist Lionel Penrose and his mathematician son Roger Penrose devised and popularized the triangle in the 1950s, describing it as "impossibility in its purest form". It is featured prominently in the works of artist M. C. Escher, whose earlier depictions of impossible objects partly inspired it.
A rotating penrose triangle model to show illusion
The upp and down and the displacement to the sides and the angles between them as the various ways that the function of the wave for the center of Stonehenge function.